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ATOMOS Sumo 19 Production Monitor-Recorder and Switcher
ATOMOS Sumo 19 Production Monitor-Recorder and Switcher ATOMOS Sumo 19 Production Monitor-Recorder and Switcher ATOMOS Sumo 19 Production Monitor-Recorder and Switcher ATOMOS Sumo 19 Production Monitor-Recorder and Switcher ATOMOS Sumo 19 Production Monitor-Recorder and Switcher

ATOMOS Sumo 19 Production Monitor-Recorder and Switcher

23.489 kr

Atomos Sumo 19 4K Monitor & Recorder
AtomOS 9.2 for Sumo19 provides new and existing Sumo users with intuitive and hugely powerful multi-cam functionality for HD workflows.

Sumo19 has offered quad-HD recording and live switching for some time, but video signals were required to be genlocked; this latest firmware provides asynchronous multi-cam support that negates the need for genlock and therefore simplifying setups and enabling all users to benefit from Sumo19’s multi-cam HD capabilities. Here are the key features that AtomOS 9.2 brings:

Up to five HD* video streams can be recorded simultaneously - four (4) separate ISOs and the Program Out can be recorded to the same SSD in Apple ProRes or Avid DNx formats.
No need to synchronise the cameras or video feeds using genlock.
The channels can be switched in real-time at the touch of the screen and the resulting switched output recorded to the separate fifth channel as well as output on either HDMI or HD-SDI.
Each switch also signals a metadata cut/edit point that the Sumo 19 writes to the SSD as an XML file. The ISOs can subsequently be brought directly into your NLE’s timeline** with the edits already in place, all ready for fine tuning or re-editing.
Sumo19 can be configured to respond differently to single and double taps, giving the choice between a hard cut or channel preview ahead of a cut/dissolve being written into the XML file.

*Support for HD signals up to 1080p60.
**XML directly compatible with FCPX.

 

Sumo is a great production monitor for DPs, directors, drone operators and DITs in film sets, live productions and broadcast TV that combines ProRes and ProRes RAW recording with instant playback, rugged construction, multiple power options and touchscreen control. The new feature upgrade will make it an even more useful addition to any multi-camera production.

The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.

For the first time your on-set production monitors can be HDR capable and have recording capacity. Now every monitor is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen.

Take Sumo into the studio to use as a HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range.

DIT Cart
Get HDR on set in realtime with on the fly Log to HDR and PQ/HLG playback complete with mission critical scopes such as waveform, focus peaking, false colour and vectorscope on the calibrated screen. Beyond monitoring, with up to 4Kp60 and 2Kp240 recording you can generate instant dailies and proxies direct to affordable and available SSD media.

Focus Puller
The combined monitor-recorder in the larger 19" size gives focus pullers instant on set access to footage with focus peaking, 2:1/1:1 zoom and the ability to tag footage as XML files. The high bright 1200nit monitor, sturdy built-in armor aluminium alloy design and variety of mounting options makes it a go-anywhere, do-it-all monitor-recorder for focus pullers.

Client/Director Monitor
Clients and directors can see the amazing true-to-life nature of HDR in realtime away from the camera crew with precision mapping of Log from every camera maker and playback of PQ/HLG signals.

Full playback controls and XML tagging means that they can also review footage and even create an instant client lightweight ProResLT copy with baked in LUTs and audio onto affordable SSD media. You can also choose to view both Log and standard gamma images with or without LUTs applied. Toggle between different looks with ease in seconds.

Studio Monitor
In the studio the 19" Sumo becomes an affordable yet incredibly powerful HDR monitor. With 10 stops dynamic range, 10-bit processing and X-Rite calibration it will accept Log, PQ or HLG signals from your grading software and display HDR in all its glory.

Packing list:
1 x Atomos Sumo 4K Monitor & Recorder
1 x Master Caddy II
1 x AC Power Supply
2 x Feet

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Technical data:
Weight 
Without batteries, media & stand  5.6kg / 12.3lb 
With stand  6.2kg / 13.7lb 
Dimensions (W x H x D mm)  504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)  
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) 
Construction  Aluminium alloy chassis with built in armor protection 
Mounting Points  1/4-20 screw; 4 x top, 4 x bottom, 2 x side  
3/8-16 screw; 2 x top, 2 x bottom, 1 x side  
VESA mount rear 
Power 
Operating power  75W 
Compatible batteries  V-Lock / Anton Bauer via XLR terminal  
(optional mounting plates available) 
Input voltage (battery)  14.4V nominal 
Battery time (based on 7.4V)  Depends on Watt Hours speci cation of battery used 
DC In  1 x DC in (6.2 - 16.8V) 
Continuous power  Primary-secondary battery system.  
* Patent pending  Change batteries without losing power  
Loop batteries continuously 
Touchscreen 
Size  19” 
Resolution  1920 x 1200 
PPI  120 
Aspect ratio  16:9 native 
Colour Gamut  REC709 HDTV 
Look up table (LUT) support  3D LUT (.cube format) 
Anamorphic de-squeeze  2x, 1.5x, 1.33x, Panasonic 8:3 
Technology  SuperAtom IPS panel (capacitive touch),  
calibration to Rec.709 with optional calibration unit 
HDR 
AtomHDR  Yes 
Supported Log formats  Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, 
Panasonic Vlog, JVC JLog, Red LogFilm 
Supported Gamuts  Sony SGamut / SGamut3 / SGamut3.cine 
Canon Cinema / BT2020 / DCI P3 / DCI P3+ 
Panasonic V Gamut 
Arri Alexa Wide Gamut 
Bit depth  10-bit (8+2 FRC) 
Brightness  1200nit (+/- 10%) 
HDR input (PQ/HLG)  Yes / Yes 
HDR output (PQ/HLG)  Yes / Yes 
Video Input/Loop Out 
HDMI  1 x HDMI (2.0) 
SDI  Quad link 4 x 3G SDI* or up to 12G single link SDI 
Signal  Uncompressed true 10-bit or 8-bit 422 
(camera dependent) 
Video Output (Play Out) 
HDMI  1 x HDMI (2.0) 
SDI  1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 
Signal  Uncompressed true 10-bit or 8-bit 422 
(playback file dependent) 
Supported Loop Out Formats 
HDMI to HDMI  720p 50/60, 1080i 50/60, 
1080p 24/25/30/50/60/100/120  
2160p 24/25/30/50/60 
SDI to SDI  720p 50/60, 1080i 50/60  
1080pSF 24/25/30  
1080p 24/25/30/50/60/100/120  
2160p 24/25/30/50/60 
Video Signal Conversion 
HDMI to SDI  720p 50/60, 1080i 50/60, 
1080p 24/25/30/50/60/100/120/200*/240* 
2160p 24/25/30/50/60 
SDI to HDMI  720p 50/60, 1080i 50/60,  1080p 24/25/30/50/60/100/120/200*/240* 
2160p 24/25/30/50/60 
Supported Codecs & Frame Rates (Record & Playback) 
Raw Record  Sony FS5/FS7^^/FS700 CDNG 
4K DCI; 24/25/30p  
4K UHD;  
2K; 24/25/30/50/60/100/120p  
1080;  
 
Canon C300MKII/C500 CDNG 
4K DCI; 24/25/30p  
4K UHD; 24/25/30p  
2K;  
1080; 
 
Panasonic VaricamLT / Varicam35* CDNG 
4K DCI; 24/25/30p  
4K UHD; 24/25/30p  
2K;  
1080;  
 
Arri Alexa Mini .ARI* 
2880x1620; 24/25/30/50/60p  
2880x2160; 24/25/30/50/60p  
 
Raw to ProRes / DNxHR  Sony FS5/FS7/FS700  
ProRes (HQ, 422, LT)  
DNxHR (HQX, HQ, SQ, LB) 
4K DCI; 24/25/30/50/60p  
4K UHD;  
2K; 24/25/30/50/60/100/120/200/240p  
1080;  
 
Canon C300MKII/C500  
ProRes (HQ, 422, LT)  
DNxHR (HQX, HQ, SQ, LB) 
4K DCI; 24/25/30p  
4K UHD; 24/25/30p  
2K;  
1080;  
 
Panasonic VaricamLT / Varicam35*  
ProRes (HQ, 422, LT)  
DNxHR (HQX, HQ, SQ, LB) 
4K DCI; 24/25/30/50*/60p*  
4K UHD; 24/25/30/50*/60p*  
2K; not supported in camera  
1080; not supported in camera 
 
Video to ProRes / DNxHR   Codecs  
(DNx utilizes a .MOV wrapper)  Apple ProRes HQ, 422, LT 
AVID DNxHR HQX. HQ, SQ, LB 
 
Frame rates  
4K DCI; 24/25/30/50/60p  
4K UHD; 24/25/30/50/60p  
2K; N/A  
1080p; 24/25/30/50/60/100^/120^/200/240p  
1080i; 50/60i  
720p; 50/60p 
Onboard Processing 
Pulldown removal  24/25/30pSF 24/25/30p (2:2 pulldown) 
60i 24p (3:2 pulldown) 
4K UHD downscale for HD monitoring  Yes - Loop-out and playback (Not available in RAW) 
Audio In/Out (48kHz PCM Audio) 
HDMI  2 or 8ch 24-bit, camera dependent 
SDI  12ch 48kHz 24-bit 
Audio  2ch balanced XLR analogue in/out (direct XLR connection) 
Dynamic range 90dB 
Max signal level +24dBu 
Max analog gain +52dB 
48V Phantom Power for Mic 
Headphone Out  3.5mm 
Built-in Speakers  Yes 
Remote Start/Stop 
HDMI  Auto HDMI Trigger 
Supported Protocols - Canon, Sony, Atomos Open Standard 
SDI  SDI trigger camera selectable 
Other  LANC control - Slave 
Playback 
Playlist / Genlock / LTC  Yes / Yes / Yes 
CDNG (Recorded content)  No support 
ProRes (Recorded content)  All recorded files can playback. Playback in slow motion = 100fps 
DNxHR / DNxHD (recorded content)  All recorded files can playback. Playback in slow motion = 100fps 
Recording 
Pre-roll record  Yes (HD 8s, 4K 2s) 
Custom timelapse  Yes 
Meta data tagging  Yes (10 tags available) 
Supported media  2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of 
tested and approved drives 
Master caddy case  Master Caddy II (included) 
75mm x 105mm x 12mm 
Master caddy dock  2.5” SATA to USB 2.0/3.0 
Supported applications  Supported Applications FCPX/FCP7+ / Media Composer 
5.0+ / Premiere 5.5+ 
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / 
Autodesk Smoke 2015 
XML support  FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools 
Accessories included  Sumo unit, Master Caddy II x 1, AC power supply 
Optional extras  Sunhood, VESA battery adapter plate, Atomos HDMI  
cable, X-Rite i1DisplayPro calibration 
Warranty  1 year. Extended to 3 years on product registration 
 
All specifications correct when published, subject to E&OE. 
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution 
* Available in future firmware updates 
*** No HDMI spec for 2K DCI 
^ From supported HDMI sources such as gaming consoles and graphics cards. 
^^ Optional unit (XDCA-FS7) needed for Raw output.

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