FRI FRAGT over 2000 kr.
ATOMOS Shogun 7
ATOMOS Shogun 7 ATOMOS Shogun 7 ATOMOS Shogun 7

ATOMOS Shogun 7

12.107 kr

Atomos Shogun 7 is a precision HDR monitor-recorder-switcherdesigned for the film and video professional. It can be used aseither a stand-alone field monitor, recorder and switcher forevent, documentary and live in-the-field storytelling; or as a toolfor large-scale on-set episodic TV, film and cinema productionswhere multiple crew members such as focus pullers, grips andcinematographers require a consistent visual reference acrossthe field monitor ecosystem. Shogun 7’s portable size lets youmonitor, analyse and tag while on set; and check how yourcontent will look in your audience’s home via real-time DolbyVision output. With Shogun 7 you’re not locked into any format,camera manufacturer or pipeline. It is a completely flexiblemaster recording and production station.

Monitor, record and switch between 4 live HD SDI video streams(and one program stream) for flexible in-the-field directing.Enjoy the freedom of asynchronous switching and gen lock in &out to connect to existing infrastructure. Shogun 7 offers up to HDp60 SDI ISOs x 4 recording. Once you’ve finished capturing your streams, just import the Atomos xml file into your NLE andyour timeline populates with all your edits in place. Audio is also taken care of, with each ISO and program record, we insert themixed analog stereo channels and embed 2 channels of digitalaudio in each recorded stream. The program stream alwaysrecords the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.

With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slowmotion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording fordirect-to-edit look up in Final Cut Pro X, Adobe Premiere* and AvidMedia Composer*

To make the most advanced on-set production tool for creativeenhancement, to achieve this we developed the most advancedscreen technology today, and it took us three years. We developed“Dynamic AtomHDR” screen technology into Shogun 7’s fieldmonitor makes your images blacks blacker and whites brighter.We include real-time output to Dolby Vision capable displays sothat you can quickly check that your Creative intent will translateperfectly to audiences at home. We added Apple ProRes RAWrecording to other popularly available formats. We added live a synchronous switching to record up to four real-time cameras atthe same time.

The Shogun 7 screen is the most precise 7” field reference monitorto-date for both SDR and HDR production as well as up to 2Kp240and 4Kp60. Display your work on the world’s best HDR screen withthe first-to-market Dynamic AtomHDR backlit technology, with360 zones that revolutionises the on-camera HDR monitor game.Dynamic AtomHDR achieves an astounding 1,000,000:1 contrast ratiowith ultra-wide colour, giving you the ultimate combination of blackerthan black OLED for intense shadow detail and blazing 1500nit LCDperformance for vivid high bright and HDR performance.

Atomos and Dolby have teamed up to give you live Dolby VisionHDMI out, from any SDI or HDMI HDR camera. All courtesy ofAtomOS 10. Simply connect your Dolby Vision capable TV ormonitor to your Atomos product* and magically, automatically, theAtomOS analyses the image, queries the TV, and applies the rightcolour and brightness profiles for the maximum HDR image on thedisplay or TV. This ensures the HDR image always looks as it wascreatively intended. This is a valuable on-set reference check for thecreative director and client. This function is also available inplaybackand playout from RAW and Log recorded ProRes RAW, ProRes andDNx rushes for instant time-saving, on-set and in-studio review.Utilise playback functions like slow motion, and insert edit and inand out points to speed up playlist compilation.

Monitor analyse and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/ grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Black Magic Resolve. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.

Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack.

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/ Quad Link SDI in almost any combination and eliminate the need for specialist converters.

1
Der er kun 1 tilbage!

Packing list:
1 x Shogun 7 unit
1 x Master Caddy II
1 x 12V-3A AC power supply
1 x Carry Case

Technical data:
Weight and Dimensions Without batteries 709g / 25oz. 
Dimensions (W x H x D mm)  214 x 127 x 45mmmm 
Construction Polycarbonate ABS 
Mounting points  1/4”-20 screw mount. 1x top and 1x bottom 
Power
Operating power Polycarbonate ABS 
Compatible batteries NP-F series and supporting accessories. 
Input voltage (battery) 6.2V to 16.8V 
Battery time* (based on 7.4V) 5200mAh – up to 1.5hrs (monitor & record 4K 30p) 
7800mAh – up to 2.2hrs (monitor & record 4K 30p) 
DC In  1 x DC in (6.2 - 16.8V) 
Touchscreen
Screen  Capacitive touch 
Size  7.2” 
Resolution / PPI  1920 x 1080 / 325ppi 
Aspect ratio  16:9 native 
Contrast ratio  1,000,000:1 (Zone backlight turned on) 
ColoUr Gamut Up to Wide colour gamut (105% DCI-P3 
Look up table (LUT) support 3D LUT (.cube format) 
Anamorphic de-squeeze  2x, 1.5x, 1.33x 
Dynamic AtomHDR Technology
Backlight Direct LED 
Zones  360 direct backlight individual LEDs 
LEDs  Wide Colour Calibrated D65 or D9 
Bit depth 10-bit (8+2 FRC) 
Colour  DCI-P3 105% 
Brightness 1500nit (+/- 10%) 
Control On the fly real-time brightness analysis for LED contro 
HDR Conversion Log/RAW to HLG or PQ 
HDR Monitoring Technology
Gamma
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI 
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 
/ LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / 
LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED 
Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k 
HLG 
Gamut
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / 
DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa 
Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED 
DragonColor / DragonColor2 / RED Color2 / RED Color3 / 
RED Color4 
Anamorphic de-squeeze  2x, 1.5x, 1.33x 
Technology IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit 
AtomHDR Yes 
HDR Monitoring (Gamma)
Sony SLog / SLog2 / SLog3 
Canon CLog / CLog2 / Clog3 
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / 
LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / 
LogCEI1000 / LogCEI1280 / LogCEI1600 
Panasonic Vlog 
JVC JLog1 
RED Log3G10 / RED LogFilm 
FujiFilm F-log 
Nikon N-Log 
PQ10k 
HLG 
HDR Monitoring (Gamut)
Sony SGamut / SGamut3 / SGamut3.cine 
Canon Cinema / DCI P3 / DCI P3+ 
Panasonic V Gamut 
Arri Alexa Wide Gamut 
Rec709 / BT.2020 
JVC 
RED WideGamut / RED DragonColor / DragonColor2 / 
RED Color2 / RED Color3 / RED Color4 / 
Video Input / Loop out
HDMI  HDMI 1 x HDMI (2.0) 
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI 
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) 
Genlock Genlock input signal and output signal 
Video Output (Playout)
HDMI 1 x HDMI (2.0) 
SDI  2x 4K-SDI 12G or HD-SDI 3G/6G 
HDMI  Uncompressed true 10-bit or 8-bit 4:2:2 (camera dependent) 
Supported Codecs & Frame Rates (Record & Playback)
Raw to:
ProRes RAW 
ProRes 
CinemaDNG 
(CDNG up to 30p only) 
Avid DNxHD 
Sony^^FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p 
4K UHD; not supported in camera 
2K; 24/25/30/50/60/100/120/200/240p 
1080; not supported in camera 
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; not supported in camera 
1080; not supported in camera 
Panasonic VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera 
Supported base resolution & FPS from cameras
4K DCI: 23.98/29.9/59.94p 
4K UHD: 23.98/29.9/59.94p 
2K DCI: 23.98/29.9/59.94p 
1080p: 23.98/29.9/59.94p 
Supported FPS & resolution from gaming consoles and graphic cards 
1080p; 24/25/30/50/60/100/120 
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown) 
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW) 
Audio Out
HDMI 2 or 8ch 24-bit, camera dependent 
SDI  12ch 48kHz 24-bit 
Audio 2ch balanced XLR analogue in/out 
Dynamic range >90dB 
Max signal level +24dBu 
Max analogue gain +52dB 
48V Phantom Power for Mic 
Remote Start/Stop
HDMI  Auto HDMI Trigger 
Supported Protocols – Dolby Vision, Canon, Sony, Atomos 
Open Standard 
SDI  SDI trigger camera selectable 
Other  LANC control - Slave 
Playback
Playlist / Genlock / LTC  Yes / Yes / Yes 
CDNG (Recorded content) No support 
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps 
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps 
Recording
Pre-roll record Yes (HD 8s, 4K 2s) 
Custom time lapse  Yes 
Meta data tagging  Yes (10 tags available) 
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives 
Master caddy case  Master Caddy II (included) 
Master caddy dock 75mm x 105mm x 12mm 
Supported applications  2.5” SATA to USB 2.0/3.0

Andre produkter